"The hallmark of this company is a tight integration of style and substance." The New York Times
Temporary Distortion explores the potential tensions and overlaps found between practices in visual art, theater, cinema, and music. The group works across and between disciplines to create performances, installations, films, albums, and works for the stage that have been shown in over 25 cities in Australia, Austria, Canada, the Czech Republic, France, Greece, Hungary, Japan, Russia, South Korea, Switzerland, and the United States.
Interdisciplinary artist Kenneth Collins formed Temporary Distortion in 2002 when he began staging intimate performances in claustrophobic, life-size shadow boxes in New York City. Temporary Distortion’s recent work has focused on long-duration, installation-based performances featuring live music, during which spectators are encouraged to come and go throughout all-night events.
“Temporary Distortion just keep elevating their game. You could call that game sculptural video, or perhaps living set design, or maybe just multimedia ravishment.“ TimeOut NY
Essays discussing Temporary Distortion’s work have been published in numerous international magazines and newspapers, including: The New York Times, Le Monde, Les Inrockuptibles, TimeOut, The Theatre Journal, The Drama Review, Contemporary Theatre Review, TheatreForum, Yale’s Theater, American Theater, and Chance Magazine; as well as in the books, Emergency Index, Every Leader is an Artist, Media Archaeology and Intermedial Performance: Deep Time of the Theatre, Performance and Media: Taxonomies for a Changing Field, Theatre Today, and Utopii performative: Artisti Radicali ai Scenei Americane in Secolul 21 (Performative Utopias: Radical Artists on the American 21st Century Stage).